Evelyn--my piece of living history. |
By now friends and family likely all know that I left my job
at the museum—which was a hard decision for me to make because I enjoyed my job
and I love the museum. But I made the
decision a few months ago, transitioned out, and had my last day in mid-May. The unplanned “plan” is that if all goes
according to that non-existent “plan” Lou and I will take some time to enjoy
Evelyn and our life aboard her, and do some travelling—working as we go, we
hope—along the coast, perhaps, if all goes well, staring this fall. So perhaps soon you’ll see us meandering up
the Delaware, sailing through the Chesapeake, and cruising to…who knows? That’s the best part of travelling—no plan,
no timeline, perhaps not even a destination.
But likely we won’t go too far, because we’ll want to return to Maine
for next summer to work, and sail, and then assess…and, then if we enjoyed it,
perhaps do it again…but if we felt it didn’t live up to our expectations, we’ll
instead stay up here to enjoy the winter season that we’ve come to love.
What that means for the immediate future is that I am now
working with Lou aboard the friendship sloops.
This summer I’ll spend most my days as Lou’s crew aboard the Helen
Brooks, and a few days here and there helping in the Sail Acadia office. The first month of this new arrangement was
spent outfitting the boats for the summer season, which had its ups and downs. The downside was that there was a lot of
sanding involved, and sanding is one of my least favorite things to do. Luckily there were more upsides: I loved
being outside, even when it was raining, which it did a lot. I loved working with Lou, having breakfast
and lunch together, and going for short hikes on our way home when time and
weather allowed. And the last thing I
liked was a realization I had that first week—something I knew, perhaps
something I have even written here before, but it was nice to reconsider it in
this new context.
A large part of what I love about boats is their history,
their stories, the design, the beauty, the traditions, the
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At the helm of the Helen Brooks, a Bruno & Stillman replica Friendship Sloop. |
My "ah-ha" moment came when I was scrubbing mold off of
the Alice E. that first week. Over the
winter, some mold had appeared in Alice’s cabin, in the areas beneath the deck
where it’s a little more difficult for air to flow. Alice is a beautiful and very old friendship sloop. She was first documented in 1899, which makes
her the oldest friendship sloop still sailing.
Scrubbing mold is inglorious, but all those projects of maintenance and
care, like scrubbing mold, are what have kept this boat alive for more than 114
years.
The Alice E. is a piece of history that is still working—at
one time she hauled lobsters and now she carries passengers, but the story she
represents is preserved because of all the people who have loved her. Friendship sloops have a different purpose
today than the one for which they were originally intended (most are pleasure
boats not fishing boats) but a bit of Maine’s maritime history was preserved in
them as their use evolved. The building
and sailing, as well as their purpose and rig, capture a bit of past and
present in an object that is beautiful to look at, beautiful to sail, and
timeless.
The point is, when I am aboard a friendship sloop, a Tahiti
ketch, a catboat—any boat—I am aboard a piece of history, an evolution of
skills, and I am part of the story.
Alice E., the oldest Friendship Sloop still sailing (1899). I took this photo during the 2013 Southwest Harbor Rendezvous, an annual gathering of Friendship Sloops. |
It is exciting to be part of a boat’s story and
history. I feel that way aboard the
friendship sloops, and I feel that way aboard Evelyn all the time, especially
when we do projects and repairs that improve her and maintain her. We are not owners really but caretakers for a
short chapter in her history. It is wonderful to sail a boat with some traditional
elements—and to be able to share the experience with others. But of course any boat is born from that
maritime history and the ideas that have gone before—just as contemporary art
emerges from the context of art history.
Like art, some boats and designs are beautiful, some are bad, some are
commercial, some are idea and theory driven—and we all have our own tastes that
cause us to love some and frown at others.
So as I dipped my hands in a bucket of dirty water, tucked
inside a cabin scrubbing mold as the rain pounded on an overhead tarp, I
reflected on how these passions of mine—museums, boats, art, history, culture—intersect
in interesting ways. With the recent
change in my life I had not completely wandered away from ideas I believe are important, I
was just approaching them from a different angle.
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